“Jerry's Map” by Jerry Gretzinger and “Wolf with Birds III” by Kiki Smith at the Thomas Cole Site© Peter Aaron/OTTO “Village People” by Charles LeDray at the Thomas Cole Site© Peter Aaron/OTTO “Village People” by Charles LeDray at the Thomas Cole Site© Peter Aaron/OTTO Works by Thomas Nozkowski, Sienna Shields, Elizabeth Murray and Romare Bearden at the Thomas Cole Site© Peter Aaron/OTTO Thomas Nozkowski, Thomas Cole and Kianja Strobert installation at the Thomas Cole Site© Peter Aaron/OTTO “Untitled (9–25) (Sams Point)” by Thomas Nozkowski in the sitting room at the Thomas Cole Site© Peter Aaron/OTTO “Self-Portrait (Yellow Raincoat)” by Chuck Close in the stair hall of the Main House at Olana© Peter Aaron/OTTO “Self-Portrait (Yellow Raincoat)” by Chuck Close in the stair hall of the Main House at Olana© Peter Aaron/OTTO “Picnic with Downy Woodpecker” and “Table and Chair with Pileated Woodpecker” by Valerie Hegarty in the Dining Room of the Main House at Olana (Selections from Alternatives Histories installation view in Cupola House hall, Brooklyn Museum 2013)© Peter Aaron/OTTO “Silver River – Hudson” by Maya Lin in the Sitting Room of the Main House at Olana© Peter Aaron/OTTO

Olana, the Thomas Cole Site, and “River Crossings”

The Thomas Cole National Historic Site and The Olana Partnership/Olana State Historic Site co-hosted a landmark exhibition of contemporary art to highlight the pivotal role that the two historic properties — and the artists who lived and worked there — played in shaping America's tradition of contemporary art. The Thomas Cole National Historic Site is home to Thomas Cole (1801-1848), founder of the Hudson River School of art, the first major art movement in the United States. Olana State Historic Site is one of the most important artistic residences in the United States and is the 250-acre home and landscape of Frederic Edwin Church (1826–1900), Cole's student who became the School's leading practitioner.

The exhibition — "River Crossings: Contemporary Art Comes Home" — ran from May 3rd through November 1st, 2015. It provided an unprecedented opportunity for visitors to consider these historic spaces from a completely new vantage point – that of experiencing contemporary art in these iconic settings.

The exhibition was co-curated by Stephen Hannock, the celebrated painter, and Jason Rosenfeld, the art historian who recently curated two exhibitions at Tate Britain in London and the National Gallery in Washington, D.C. A fully-illustrated companion book was published by The Artist Book Foundation and included entries by Rosenfeld on all the artists and works as well as reflections by Maurice Berger, Ken Burns, and Marvin Heiferman.

The 28 artists whose works were in the exhibition all have a connection to the region that Cole and Church helped ignite as a hot–bed of American art: from Greater New York City to Lake George and from Niagara Falls to Massachusetts.

For media inquiries, contact Regine Labossiere.